Vibe teri meri mildi aa, vibe teri meri mildi aaA few nights ago, Delhi witnessed something it had wholeheartedly been waiting for over the past two years. A lot of vibe was exchanged.

Between strangers, concert partners, friends, and between Diljit Dosanjh and his fans. It was one hell of a show, for sure.

Memories for a lifetime were made. Fans travelled miles to reach Delhi, a fan who had booked her tickets months ago arrived in a wheelchair with a fractured leg, tears were shed, and those who had booked fan pit tickets stood for hours before the show even began.

Every bit of it felt worth it for the two-hour-long magical experience at Jawaharlal Nehru Stadium on Friday. Even the rains that had thrashed Delhi for the past 48 hours decided to take a break.True to his name, Diljit won hearts that night.

From a goated entry that will stay etched in fans’ memories for years to come to performances that gave us goosebumps and a smile that melted hearts, he had everyone hooked.The issue, however, wasn’t the music. It was the language of the conversations in between.

While Diljit’s songs brought the crowd together, his interactions with fans were largely in Punjabi, leaving those who don’t speak the language struggling to follow what he was saying. After his massive Dil-Luminati Tour show in Delhi in October 2024, this was a concert many had been waiting for.

And honestly, finding fault with an otherwise spectacular show would almost feel like a disservice to the artiste. But as a Diljit fan through and through, there's something I feel needs to be said.

And I'm quite certain there are many like me who'd relate. Diljit Dosanjh during his Aura India Tour show at Delhi's JLN Stadium For a non-Punjabi, Telugu girl from Jharkhand, my introduction to Diljit came through his collaborations with Honey Singh, including the 2009 banger Panga, Goliyaan and Battle of Mundeer.

Then came Lak 28 Kudi Da, Proper Patola, Soorma, Patiala Peg, 5 Taara and Do You Know. My world slowly opened up to Punjabi music.

Thanks to artistes such as Alfaaz, Jassie Gill, Sidhu Moosewala, Gurnazar Chattha, Imran Khan, Millind Gaba, Ammy Virk, Guru Randhawa and Jass Manak, and, more recently, Shubh, Karan Aujla and Harrdy Sandhu, that world only grew bigger. Which is why I found myself wishing Diljit's Delhi concert had made a little more room for fans like me.Let me be clear.

This isn't about asking Diljit to stop speaking Punjabi or questioning his love for his language and community. Nobody should have to give up their identity to accommodate an audience.

But when your music travels across India and beyond, your audience inevitably becomes more diverse. Assuming that all 70,000-80,000 people in that stadium could understand every word of your Punjabi interactions wasn't entirely fair to those who couldn't.

Diljit Dosanjh during his Aura India Tour show at Delhi's JLN Stadium Having followed Diljit since my school days, I know nearly every lyric in his setlist. I didn't need subtitles to sing along to Chauffeur, Peaches, Lemonade, Water or my personal favourite, Dealer (2026).

And what a banger the second half was! But while addressing his older fans, I did find myself wishing he'd brought back some of the songs that introduced many non-Punjabi listeners to his music, such as Laembadgini, High End, GOAT, Born To Shine and Black & White.

The existing setlist was good, no doubt, but a few more of these older favourites could have made the evening even more special for fans who've followed his journey from those days.What I missed more, though, was being able to follow his conversations with the audience. His speeches about love, spirituality, God and his fans were clearly touching.

I could see it in the people around me. Standing there with aching feet, I watched tears roll down several cheeks.

I smiled, listened and tried to take in the emotion. But I couldn't fully understand what he was saying.

And that left me feeling a little disconnected at moments when I wanted to feel just as involved as everyone else. Delhi sky lit up with drone light show during AURA India Tour concert at JLN Stadium I wasn't alone in feeling this way.

Snehanjali, a Malayali fan from Bhubaneswar, had waited two years for the concert. She told me, "As a non-Punjabi, somewhere throughout the concert I felt left out because Diljit was interacting in pure Punjabi and rarely in Hindi or English.

Although I'm a huge fan and know his songs by heart, I couldn't relate to or understand what he spoke, which was a setback for me. Artists like Diljit should realise they have a diverse fan base across India and the world and try to converse in Hindi along with Punjabi so that everyone feels loved and included."Several social media users also shared similar experiences.

Creator Preet Pandey posted a Reel saying, "4 gaane yaad karke gaya tha I had memorised four songs before going)." Others joined the conversation, with one commenting, "Relatable. I thought I was a decent fan of Diljit", while another wrote, "Out of syllabus aa gaya."Perhaps that's the thing about becoming a universal artiste.

You don't necessarily have to change who you are, but you do have to recognise how far your art has travelled and who has come along for the ride. Diljit's Punjabi music has found listeners who don't speak the language, haven't grown up with its culture and may not understand every reference, but have still made his songs a part of their lives.I don't want Diljit to speak any less Punjabi.

I just wish he'd spoken a little more Hindi or English in between, so that those of us who travelled just as far to see him could be part of those moments, too. A little effort to bridge that language gap wouldn't have taken away from his identity.

It would've only made more people feel included in it.The vibe was absolutely there, Diljit. We just wanted to understand every bit of it.- Ends